HUMAN NEST, 2001
PERFORMANCE ANDINSTALLATION
NMAC FOUNDATION, CADÍZ.SPAIN

HUMAN NEST, 2001

PERFORMANCE AND
INSTALLATION

NMAC FOUNDATION, CADÍZ.
SPAIN

THE METHOD - SCANDEBERGS+
styling: Nicola Baratto shot at Pac (Contemporary Art Pavillion), Milan. 
Inspired by The Abramovic Method held at PAC in 2012.check the full story here and donate for the MAI Institute here.

THE METHOD - SCANDEBERGS+

styling: Nicola Baratto 
shot at Pac (Contemporary Art Pavillion), Milan. 

Inspired by The Abramovic Method held at PAC in 2012.
check the full story here and donate for the MAI Institute here.

(via scandebergs)

IMPONDERABILIA(WITH ULAY), 1977PERFORMANCE90 MIN.GALLERIA COMUNALE D’ARTEMODERNA, BOLOGNA
In a chosen space.
We are standing naked in themain entrance of the museum,facing each other.
The public entering the museumhave to pass sideways throughthe small space between us.
Each person passing has tochoose which one of us to face.

IMPONDERABILIA
(WITH ULAY), 1977
PERFORMANCE
90 MIN.
GALLERIA COMUNALE D’ARTE
MODERNA, BOLOGNA

In a chosen space.

We are standing naked in the
main entrance of the museum,
facing each other.

The public entering the museum
have to pass sideways through
the small space between us.

Each person passing has to
choose which one of us to face.

IMPONDERABILIA(WITH ULAY), 1977PERFORMANCE90 MIN.GALLERIA COMUNALE D’ARTEMODERNA, BOLOGNA
In a chosen space.
We are standing naked in themain entrance of the museum,facing each other.
The public entering the museumhave to pass sideways throughthe small space between us.
Each person passing has tochoose which one of us to face.

IMPONDERABILIA
(WITH ULAY), 1977
PERFORMANCE
90 MIN.
GALLERIA COMUNALE D’ARTE
MODERNA, BOLOGNA

In a chosen space.

We are standing naked in the
main entrance of the museum,
facing each other.

The public entering the museum
have to pass sideways through
the small space between us.

Each person passing has to
choose which one of us to face.

THE LOVERS (WITH ULAY), 1988PERFORMANCE90 DAYSTHE GREAT WALL OF CHINA
At a chosen location.
We walked the entire length of the Great Wall of China.
We started on 30 March 1988.
I started walking at the easternend of the Wall, at Shai Hai Guan,on the shores of the Yellow Sea,Gulf of Bohai, walking westward.
Ulay started walking at thewestern end of the Wall, at Jai YuGuan, the south-westernperiphery of the Gobi Desert,walking eastward.
We walked until we met.
After we both continuouslywalked for 90 days, we met atEr Lang Shan, in Shen Mu,Shaanxi province.
We each took a 2,000 kilometrewalk to say goodbye.

THE LOVERS (WITH ULAY), 1988
PERFORMANCE
90 DAYS
THE GREAT WALL OF CHINA

At a chosen location.

We walked the entire length 
of the Great Wall of China.

We started on 30 March 1988.

I started walking at the eastern
end of the Wall, at Shai Hai Guan,
on the shores of the Yellow Sea,
Gulf of Bohai, walking westward.

Ulay started walking at the
western end of the Wall, at Jai Yu
Guan, the south-western
periphery of the Gobi Desert,
walking eastward.

We walked until we met.

After we both continuously
walked for 90 days, we met at
Er Lang Shan, in Shen Mu,
Shaanxi province.

We each took a 2,000 kilometre
walk to say goodbye.

REST ENERGY (WITH ULAY), 1980PERFORMANCE4 MIN. 10 SEC. ROSE ‘80,  DUBLIN
Together we hold a taut bowand a poised arrow.
The weight of our bodiesputs tension on the bow.
The arrow is pointed atMarina’s heart.
Small microphones are attachedto both our hearts recording theincreasing number of heartbeats. 

REST ENERGY (WITH ULAY), 1980
PERFORMANCE
4 MIN. 10 SEC. 
ROSE ‘80,  DUBLIN

Together we hold a taut bow
and a poised arrow.

The weight of our bodies
puts tension on the bow.

The arrow is pointed at
Marina’s heart.

Small microphones are attached
to both our hearts recording the
increasing number of heartbeats. 

RHYTHM 0, 1974PERFORMANCE6 HR.STUDIO MORRA, NAPLES
Instructions.
There are 72 objectson the table that onecan use on me as desired.
I am the object.
During this period I take full responsibility. 

RHYTHM 0, 1974
PERFORMANCE
6 HR.
STUDIO MORRA, NAPLES

Instructions.

There are 72 objects
on the table that one
can use on me as desired.

I am the object.

During this period I
take full responsibility. 

INTERRUPTION IN SPACE(WITH ULAY), 1977PERFORMANCE46 MIN.KUNSTAKADEMIE ‘RINKEKLASSE’, DÜSSELDORF
The given space is divided by awall into two equal parts.
We walk towards the wall.We walk towards the wall touching it with our body.We run towards the wall hitting itwith our body. 

INTERRUPTION IN SPACE
(WITH ULAY), 1977
PERFORMANCE
46 MIN.
KUNSTAKADEMIE ‘RINKE
KLASSE’, DÜSSELDORF

The given space is divided by a
wall into two equal parts.

We walk towards the wall.
We walk towards the wall 
touching it with our body.
We run towards the wall hitting it
with our body.